Showing posts with label Maizi S. Show all posts
Showing posts with label Maizi S. Show all posts

Friday, May 10, 2013

Rough Draft

Maizi Swenson-Heussi
Rough Draft
Mr. Walliman

The modern world grows more advanced with each second. A new product easily surpasses its previous model and replaces it. Old products are then discontinued and recycled to make way for the new. It’s the evolutionary cycle that has been happening since the beginning of time. The old is replaced by the new until that new has become outdated and so on. Stick tools were replaced by stone, which were then replaced by metal. It’s also present in the circle of life as new generations replace the ones that have aged. This process is the natural and practical system of creation. Why then is it important to preserve things of the past? Old machines that no longer function are showcased regardless of its perceived uselessness. There are many reasons any given artifact is kept like for selling, collecting, or study. There are even people that will spend money and time on something in order to bring it back to its original shine. But why are humans so intent on keeping and repairing dated objects? That’s because they still retain value. There’s basic monetary value that give something a literal price so that it may be bought and sold. Purchased antiques are usually used for decorational purposes, rather than use the vase to carry water it will be displayed in a room to be seen instead of used. Sentimental value is not a price value and most likely isn’t sold because it represents something personal to the owner and no amount of money is guaranteed to get the owner to make a trade. Items of historical significance are valuable in the field of study. Even if a piece of machinery from the beginning of the Industrial Revolution no longer functions it still has value to a museum that wishes to examine and showcase it. That same machine, once thoroughly studied, can then teach visual learners about its time of origin giving it educational value. In this age where everything has a price tag; some things get more expensive with age. Overall, the purpose of preserving antiques is to aid in the effort of maintaining items of historical significance as well as the sacred and cultural importance those items represent.
The topic of preserving the past is important because it is paradoxical how in the modern world everything is constantly being updated but there are just certain items of interested that shouldn’t be destroyed. The computers and phones are always being modified to be faster and more efficient. Outdated electronics are typically discarded, destroyed, and recycled. But, what causes someone to keep that old Nokia in that box in the basement? Why is it that in a world where upgrades are so valued and the old is so easily discarded we still have historical museums, antique shops, and restoration businesses all working to keep the outdated intact? Items of the past don’t serve any immediate purpose and chances are they aren’t even able to perform the function it was built to do anymore. This will defend why society contradicts itself by destroying the outdated but at the same time preserve something that is beyond outdated. Why do auctioneers spend so much money to restore a china set when it isn’t going to be used for its intended purpose but to instead sit on a shelf on display? Why would the collector throw away their iPhone 3, buy the upgrade, and then buy a barely functioning Model T Ford even though they have a brand new convertible? It’s curious especially when it’s realized that what’s considered garbage to most people are treasures to others. Realize that the shoes in the United States Holocaust Memorial Museum were considered garbage to the soldiers that confiscated them from the death camp victims. Now those shoes are representatives of the very people who lost their lives in those camps. Those very shoes are the focal point of a lesson used to teach generation in the futures the devastation of discrimination and war. Hundreds upon hundreds of ‘useless’ shoes are used to represent an unforgettable point in history. Those shoes are just one example of how an outdated artifact or antique has value. In the case of the shoes; they have historical significance and are a valuable teaching tool.


            Items with history and importance ingrained in its very creation are sought after by many collectors and consumers around the world. Merchants auction and sell items of historical value all the time and are the ones that put monetary value on such things. The monetary value of antiques and vintage items can keep something cycling in trade for decades or even centuries. The oldest and best preserved items sell highest. Antiques also cycle through the restoration business often as well as they get broken. Restoration is used to make antiques look as good as new in order to increase the price. Museums won’t restore something to its original state because it is costly and museums don’t typically sell their artifacts. Dealers don’t look into the story or historical significance of a particular item as much as museums, unless it has potential to increase the price. In all cases antiques still rely on the supply and demand economics. Low demand will drive a price down while the rarity of an antique will cause the price to go up. The restoration and preservation that goes into antiques for trade is only there to maintain the highest profit as possible. The trade itself is good for the economy and surrounding community. Not just handle able items are put in into trade or display. Many communities rely on historical monuments and buildings to attract tourists and scholars from around the world. With the tourists comes revenue which is earned through the tourist industry. Foundations all over the world are dedicated to protecting building including but not limited to Ipswich Historical Society, Wisconsin Historical Society, and Historic Hawaii Foundation. According to the Historic Hawaii Foundation “a community benefits from increased property values and tax revenues when historic buildings are protected and made the focal point of revitalization and when the community is attractive to visitors seeking heritage tourism opportunities”. Historical remnants have economic advantage over modern remakes or other similar recreations because of its significance. Consumers who buy antiques see this and use antiques to decorate or keep as an investment for resale.
            Pieces bought from antiques shops and auctions are typically used for special occasions and as decoration. Dining sets originating from ancient China can be bought for private display in a home or the owner can afford it breaking then for use on occasion or regularly. Antiques show the lineage of a family is if they are inherited or it can be bought to express the owner’s wealth. Many interior designers decorate with antiques, authentic or otherwise. (will elaborate, this was a last minute added paragraph)
            Inherited antiquities for most will not be sold due its personal connection. Sentimental value is fueled by emotion and for many is stronger than their financial need. Items associated with a certain person or scene are sacred and cannot be priced by their owners. A person keeping a 1920’s quilt because it was used by their grandmother in her infancy is socially acceptable. According to Katherine Chasen of Ipswich Museum “It's human nature [to keep sentimental items]. Many people privately keep objects that have outlived their original intended use.  My theory is that it's because the majority of us don't have perfect recall for our memories. Treasured objects often help summon those forgotten or foggy memories and over time the person who kept the object dies but the object remains and before you know it, we're preserving the past.” There even have been studies to prove that keeping and interacting with sentimental objects can be therapeutic. It helps activate nostalgia which in the past was considered a mental disease and a psychological disorder.  Now nostalgia is considered a treatment for the feeling of loneliness as well as promoting positive emotions. “Another important function of nostalgia may be in providing a link between our past and present selves—that is, nostalgia may provide us with a positive view of the past and this could help to give us a greater sense of continuity and meaning to our lives. The researchers surmise that nostalgia may also acquire greater significance in old age—elderly adults are especially vulnerable to social isolation and nostalgia may help them overcome feelings of loneliness.” according Science Daily. It’s important down to the personal level of individuals as much as it can be for a community if it has historical value.
            Inherited antiques can provide an even more valued service than just trade or nostalgia. Historical importance is what differentiates something from a dusty heirloom to a priceless artifact. Not all items of historical importance come from being hoarded away in the attics of family homes, most are recovered through the archaeology profession. Historical value in an item helps a great deal in uncovering the history itself. A hieroglyph or a vase from the Mesopotamian period can tell a historian hints to what was happening at the time of the artifact’s creation or even about its destruction. To the untrained eye a stone sphere dug up from a backyard is just that. A historian would be able to identify what purpose it was intended for and its approximate creation date. After something is thoroughly studied and identified then it can be utilized as a teaching tool.
            Museums are made to visually teach people about history. Sometimes learning history takes more than words and pictures on a page to get the most of the lesson. According to Katherine Chasen people need to see historical artifacts in person because “humans are experiential creatures. Objects evoke feeling and meaning in people, similar to how artwork or music can create experiences.  Anytime that you can get a person to experience, feel or think about something in a museum, we've achieved our goal.  Granted, as a curator, we often have an intended message that we want to share with a visitor to our exhibit, but any connection that's made is important, even if it's a negative reaction.” Memorials only have a fraction of their impact when they are just a small picture in the middle of an article. Death counts are just numbers unless you give it a visual representation. To properly represent a historical event its important to expose the students to actual remnants of the past. Lessons on history aren’t just for academic purposes either the Historic Hawaii Foundation states that “a community benefits through teaching local heritage and the understanding of the past and the resultant cultural respect by its citizens.” Historical monuments and memorials sustain a community’s identity by representing the community’s history to future generations.
            Historic Hawaii Foundation adds that “a community is richer for having the tangible presence of past eras and historic styles. [And] citizens take pride in its history and mutual concern for the protection of the historic [] fabric.” The cultural value of a piece; be it a memorial commemorating a hometown hero or a painting submitted to a museum by a local artist, it becomes a representative of its particular culture of origin. Having a physical object that represents a culture is valuable to said culture because it helps paint a picture that becomes an accurate depiction of the people, places, and history of a particular fraction of society. What would represent Gloucester if the fisherman statue was never created?
            In the modern world everything is constantly being updated. The computers and phones are always being modified to be faster and more efficient. Outdated electronics are typically discarded, destroyed, and recycled. But, what causes someone to keep that old Nokia in that box in the basement? Its curious especially when it’s realized that its considered garbage to most people. Its also curious to realize that the shoes in the United States Holocaust Memorial Museum were considered garbage to the soldiers that confiscated them from the death camp victims. Now those shoes are representatives of the very people who lost their lives in those camps. Those very shoes are the focal point of a lesson used to teach generation in the futures the devastation of discrimination and war. Hundreds upon hundreds of ‘useless’ shoes are used to represent an unforgettable point in history. Those shoes are just one example of how an outdated artifact or antique has value. In the case of the shoes; they have historical significance and are a valuable teaching tool.
            Value is what convinces people to keep or to discard something. The monetary, sentimental, cultural, and historical values give an artifact its price or pricelessness. The value of that gaming console will go down, especially when its successor is released with bigger and better features. The console will then lose its monetary value until it is officially dubbed a classic. The sentimental value will increase and with it the price until its cultural and historical value begins to kick in. In a hundred years or less that bit of gaming technology will no longer be played but instead displayed in a museum. A tour group of futuristic elementary school students will look at it and learn that that dusty old hunk of plastic is solely responsible for almost every case of procrastination for an entire generation. In that very same museum would be a gallery displaying a collection of a billion selfies from one girl that successful showed her age from her first selfie at her 12th birthday and her last that she took in her hospital bed at age 130, duck face and all. Those pictures would not only successfully depict this one person’s life but also show them the trends of style and behavior of the people of our time. In the end, preservation of the past is what documents human life be it beneficial to mankind in the present or the future. The value is what convinces people to hold on to that original iPhone and ultimately it truly benefits the historians of tomorrow.





Citation:
Chasen, Katherine. Personal Interview. 8 May. 2013.
Wade, Amanda E. Balancing Preservation and Interaction in the Museum Setting. 2007, Print Book via Website


“Why Historic Preservation?” Historic Hawaii. Historic Hawaii Foundation. 2003-2010 <http://www.historichawaii.org/WhyPreserve/WhyPreserve.html>


Rypkema, Donovan. “Why Historic Preservation is Smart Growth” Wisconsin History. Wisconsin Historical Society. 1996-2013. <http://www.wisconsinhistory.org/hp/smartgrowth/rykema.asp>


Newel, “Antiques Economics.” Newel’s View of Decorative and Fine Arts World. Newel’s Antiques Blog. Web. August 18, 2008. < http://newelsantiqueblog.com/?p=75>


Association for Psychological Science. "More Than Just Being A Sentimental Fool: The Psychology Of Nostalgia." ScienceDaily, 14 Dec. 2008. Web. 10 May 2013.








will lengthen paper for final draft

Sunday, May 5, 2013

5/3/13

I sanded a few bowls but after that we ran out of things for me to do and my mom got a sudden influx of animals so we couldn't do anything else in regards to restoration. We did some organizing inside our workplace, cleaning, and gardening near the front door. Planted a ton of cilantro. We also worked on a cage to house the squirrels once they are older. A while before we actually release squirrels we put them in an outdoor cage to acclimate. The outdoor cage prepares them for rain, shine and all point in between as well as a natural day/night cycle. Outdoor cages also introduce them to animals other than just fellow squirrels, loud parrots, and nosy humans. The cage was important is what I'm getting at even though it isn't restoration.

5/1/13

Started working on my personal project with my mom. I painted the eyes that are to be put on the polished silver owls we have. They're our owls so it isn't for profit but its something to work on while business is slow.  We only have so much to work on nonetheless something the I can work on. I gave the owls wide pupils and yellow irises. I popped the eyes into the sockets to see how they looked on them. I didn't glue them in quite yet. They looked very dopey but cute! The craftsmanship on the owls is a bit off and thats what made the eyes look so funny. Real owls have both their eyes on the front of their face like a human (that how they look so expressive to us). The silver owls have the eyes on the sides sort of and it makes them look counter eyed whenever I put the beads in! Basically they look very derpy.

4/29/13

There was only three of us at the museum today. It was so warm out but t office takes a while to warm up so it was a lot colder inside than outside. We collectively went outside for a 30 minute break. It just wasn't the day to do 6 hours straight of paperwork. We mostly discussed how people in different regions of the US behave differently. They also brought up what it takes to run a museum, its more complicated than previously expected. I finished a moderate sized sketch while on break, too. I told them the story about how I learned that stepping on dead hornets is not something to underestimate. Their stinkers still function in death.

Thursday, April 25, 2013

Maizi: Week 2, 4/16/13

Starting to open up more to the people at the museum. It really does take awhile of me to do that. As great as the people there are I just can't see myself working there my whole life. Museum is off the list of things I am potentially, slightly interested in for a career. I can see myself volunteering on occasion but not work, like depend upon that repetitive sequence for my daily bread. Nobody there seems to blame me for that. I also wasn't expecting it to be that exciting so I'm not necessarily disappointed either way.

Maizi: Week 2, 4/15/13

Fumes involved with restoration are rather nauseating. All the paint remover, acetone, and specialized glues tend to...not be good....to breath in. So I got a respirator mask! It's not the heavy duty kind of masks that have a ton of valves and filters on it. But it certainly helps and headaches are a lot less frequent. Helped a bit with the baby squirrels that came in recently but since it doesn't have much to do with my internship I guess that doesn't really pertain to this blog.

Maizi: Week 2, 4/24/13

I don't even like my original thesis anymore for my paper so I have to work on that...
In the meantime I'm working on the sudden influx of broken dinnerware that came in. Mostly cleaning old restoration off of things. There are so many things now, its like a crazy amount. All I can think about is how on earth are ALL these things broken from the SAME PERSON. Did their china cabinet take a spill? I don't know! But I'm going to take an educated guess and say that I shouldn't ask them...

Maizi: Week 2, 4/22/13

Scheduling work has been regulated: go to the museum on Monday and Tuesday, work with my mom Wednesday through Friday, and each day is 10 am to 4 pm. I've reached the five hundred scanned photo checkpoint at the museum. I had plenty of laughs during the course of the day buts its mostly boring scanning. I apparently keep burning through these binders of photos too quickly because every time I finish one and get a new one I'm usually met with: "Already!?". I'm getting panicky about the paper because I didn't like the old one so I scrapped it...

Monday, April 15, 2013

Wednesday April 10

Wednesday was a Art Restoration day, my minimal experience qualifies me to only do sandpapering and old restoration removal. Whenever we get a piece we have to make sure it hasn't been restored in the past. A Chinese bowl we have is an obvious example. The previous restorer, unknown, isn't very good at painting. The art style wasn't copied well and the new paint didn't match the old colors. The were also pretty stingy about gold paint, the most common color on the bowl. Copper isn't a good substitute for gold, that sentence is true in pretty much any context. They also seemed to prefer painting a part over in white to avoid having to imitate the design.
At least I have a good eye for detail. I was told that would be important for this line of work. The every other day schedule doesn't seem to be working that well for restoration. Its a start something today, finish tomorrow kind of business. I'll just coordinate with the museum and work something out.

Tuesday April 9

Tuesday was my first day to the museum. I did a lot of photo scanning for the most part. There are loads of places I can recognize in scenery photos and old post cards, a little thing to entertain me amongst all the paper work. I also got a short tutorial on how to record old apparel. I don't think I'll be any good at that...
Example: What kind of pocket is that? Apparently it was a patch pocket.
I can't distinguish a long scarf from a medium length scarf I'm afraid.
I've been trying to study tailor jargon but so far I haven't found a good source. At least I'm capable of tagging, wrapping and boxing these old clothes up.
Everyone at the museum has been so welcoming!
I forgot to bring a lunch but they refused to let me go hungry! I didn't let them spend money just for a lunch though, I'd hate to be an expense.